Sharadiya

Amjad Ali Khan

Barshobaran

HIGHLIGHTS


This is a sample page from our bangamela2001 website

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PROGRAMS


Saturday July 21, 2001

08-00A.M. – 09-00A.M.

Open-air Breakfast Meeting of all attendees with the invited artists from Calcutta, Bangladesh & USA ( in front of the auditorium)

08-30A.M. – 10-00A.M.

Registration

10-00A.M. – 10-10A.M.

Opening Ceremony (Deblina Bose, Malabika Ghosh, Bijoy Ghosh.) Produced by Punascha.

10-10A.M. – 10-35A.M.

Welcome address and speech by keynote speakers.

10-35A.M. – 11-30A.M.

Inaugural Show. “Prathama Jugero Udayadigangane” (A Punascha Presentation)

11-35A.M. – 12-20P.M.

Nazrul and Lalongeeti by Leena Taposi Khan. Bangladesh.

12-25P.M. – 01-10P.M.

Ekti Abastob Galpo. A Play by Bimal Bandyopadhyay. Presented by Bengali Association of Greater Chicago.

01-10P.M. – 01-55P.M.

Lunch recess.

01-55P.M. – 02-10P.M.

Rabindrasangeet by Shivnath Dutta. Indianapolis.

02-10P.M. – 02-25P.M.

Kathak dance presentation by Agrani, Cincinnati.

02-25P.M. – 02-40P.M.

Violin recital by Anita Sen. Tulsa.

02-45P.M. – 03-30P.M.

Jai Ma Tara Boarding. Drama presentation by Bengali Association of Greater Nashville.

03-35P.M. – 04-20P.M.

Audio drama and recitation by Arumoy and Swati Banerjee. Kolkata.

04-25P.M. – 05-25P.M.

Atulprasad, Dwijendrageeti, Rajanikanter gaan by Banani Ghosh, New Jersey.

05-25P.M. – 05-35P.M.

Felicitation to Banani Ghosh.

05-35P.M. – 05-45P.M.

Felicitation to Ustad Imrat Khan and introduction of Irshad Khan and Shafaatullah Khan by Ustad Imrat Khan.

05-45P.M. – 06-45P.M.

Sitar and Tabla recital by Irshad Khan ,Canada and Shafaatullah Khan, Philadelphia.

06-45P.M. – 07-45P.M.

Dinner recess.

07-45P.M. – 08-45P.M.

Classical dance presentation by Prasanna Kasthuri and troupe, India and St. Louis

08-50P.M. – 09-50P.M.

Adhunik gaan by Haimanti Sukla. Kolkata.

09-55P.M. – 11-00P.M.

Lokgaan by Swapan Bosu. Kolkata.

 

Sunday July 22, 2001

09-00A.M. – 09-30A.M.

Group Performance by Memphis Bengali Association.

09-35A.M. – 10-20A.M.

Rabindrasangeet by Archana Dutta. Kolkata.

10-20A.M. – 10-35A.M.

Kathak dance presentation by Sonia Choudhury. Clarksville.

10-35A.M. – 11-20A.M.

Group Performance from Treenaneel, Louisville.

11-25A.M. – 11-40A.M.

Song by Tulika Debbie Sircar. Hendersonville.

11-45A.M. – 12-45P.M.

Puratoni Gaan by Nivedita Bosu, Kolkata.

12-45P.M. – 01-30P.M.

Lunch Recess

01-30P.M. – 01-35P.M.

Vote of Thanks by Punascha Secretary, Ayananshu Banerjee.

01-35P.M. – 04-00P.M.

Daibadhha. Contemporary drama presented by Sayak, Kolkata.

 

ACTIVITIES

Saturday 21 July, 2001

12-00P.M. – 01-00P.M.

Art Contest:

Group A: ( 6 years – 11 Years)

Group B: (12 Years – 15 Years)

CAFETERIA

02-00P.M. – 03-00P.M.

Seminar:

Facilitated by Dr. Kalyan Kundu.

Executive Director of Tagore Center, London, UK.

‘Ingrejite Rabindranath- British Sambadpatrer Darpane.’

SEMINAR ROOM.

(Limited Seating.)

04-00P.M. – 06-00P.M.

Movie Show:

Hirak Rajar Deshe.

A Satyajit Ray Film.

SEMINAR ROOM.

(Limited Seating.)

08-00P.M. – 10-00P.M.

Movie Show:

Agantuk.

A Satyajit Ray Film.

SEMINAR ROOM.

(Limited Seating.)

 

Sunday 22 July, 2001

10-00A.M. – 12-00P.M.

Movie Show:

Jai Baba Phelunath.

A Satyajit Ray Film.

SEMINAR ROOM.

(Limited Seating.)

 

 

 

ARTIST PROFILE


 
Leena Taposi Khan

images/Lena_khan.jpgMohoshina Akter Khanom, popularly known as LEENA TAPOSI KHAN comes from a family possessing high musical interest. Inspired by her father M.A.Khan, she began her singing career in 1974. In 1975, she started performing in children’s programs Nutan Kuri, Asho Gan Shikhi on Bangladesh Television and Radio Bangladesh. In 1981, Leena went to Viswa-Bharati University (popularly known as "Santiniketan") which was established by Nobel Laureate Tagore and is well known for its curriculum in music. She had an Indian Government Scholarship for pursuing higher education in Music. She has performed in various parts of India as an invited artist on many occasions with highly acclaimed and well-known Indian artists like Hemanta Mukherjee, Satinath Mukherjee and Dhirendra Chandra Mitra. More recently, she has performed in various cities of the United States, Europe and continues to perform and teach in Bangladesh.She has contributed greatly as a vocal artist in the field of Classical Music, especially in Nazrul Songs (a particular genre of music named after the revolutionary Kazi Nazrul Islam). She is equally successful in presenting modern songs. She has also taught in the Department of Theater and Music at Dhaka University, Bangladesh.While presenting songs, she succeeds in creating a trance-like atmosphere. Her presentation amply proves that songs can overpower the listeners and transport them irresistibly to a region of sublime feelings

Banani Ghosh

images/banani.jpgRabindrasangeet is not a past time but a priest hood to Banani Ghosh. Her music career began at the tender age of six. To explore the fascinating world of vocal music and master the art of rendition, she took rigorous training from eminent scholars of Rabindrasangeet, Classical, traditional songs and Bhajans in Calcutta and Santiniketan, India. Banani is a Rabindra Bharati University and Geetabitan graduate. Banani's pursuit for excellence gives her recognition amongst the foremost Rabindrasangeet performers. Since 1961, Banani has been globetrotting on invitations to re-acquaint Tagore to the people at large through Rabindrasangeet. She religiously makes annual visits to India to participate in the Rabindra-Jayanti festivities. During these visits, she performs for the All India Radio, Doordarshan Kendra and for HMV - The Gramophone company of India Ltd. Besides Rabindrasangeet, Banani also mastered songs of Atulprasad, Rajanikanta and Dwijendralal Roy. Banani has received numerous honors and awards for her relentless efforts to promote and propagate Tagore's culture and traditional Bengali songs. And in this effort, Banani founded Antara- a Tagore music institution across the United States and Canada.

 Archana Dutta 

Archana Dutta's first vocal recording was released in 1982 under the banner of Geetabitan (Kolkata) - where she teaches Rabindrasangeet. Her first solo album, "Ajana Bedana", a fine collection of Tagore's songs has been released with the approval of the venerable Visva-Bharati. It has received favorable reviews praising her voice, clarity of notes and intonation. Archana studied music under well known artists Akhilbandhu Ghosh and Chinmoy Chatterjee. She studied Rabindrasangeet at the famous institution Geetabitan in Kolkata. In 1969, Archana won the coveted Nandita Purashkar from Visva-Bharati. The following year, she was placed first in the All India Radio's Rabindrasangeet contest. Soon after Archana began performing as a radio artist. She had many public performances through the years. Archana also appeared on "Doordarshan" in the television adaptation of Tagore's dance drama, Chandalika.

  Arumoy and Swati Banerjee

  Arumoy Banerjee is one of the most promising young performers in the field of recitation and Audio drama in West Bengal. A Master degree holder in Drama from Rabindra Bharati University, Arumoy, has done a series of meritorious production in All-India Radio, Television and Stage of Calcutta. He is a regular employee in Production wing of Calcutta Television Center and produced many programs for regional and national network with tremendous capacity. He became State champion in recitation organized by West Bengal Government. With more than ten audio albums already released, Arumoy is enjoying his popularity in the cultural arena of Bengal with his extraordinary creativity.

Arumoy is married to Swati, who is also a very gifted performer in recitation and audio-drama. Swati has given solo as well as duet performances with Arumoy in many recitation programs in Bengal. She has about three audio albums to her credit and is slowly cementing her place in the hearts of the poetry lovers.

SAYAK

SAYAK, a name associated with a theatre group, have through its journey of 28 years, become a household word in the world of Bengali theatre. Having assumed the formation by eleven dedicated the theatre workers in December 1973 with the objective to nourish progressive, modern creative theatre enriching cultural heritage of Bengal, Sayak at this stage, feels proud for its ability in rousing a place of honor and admiration in the hearts of the theatre lovers through total devotion to genuine work. The nitty-gritty professionalism, never failing discipline, dexterous leadership and dignified productions under the able leadership of Meghnad Bhattacharya, have made Sayak popular and significant, transcending it to the position of a dramatic institution with its multifarious activities.

Sayak did never retreat to court the challenge of making productions of various original plays as well as translated or adapted from remarkable works of great playwrights which carries a clear evidence of a rendezvous of reputation and popularity. Out of the 15 full length plays so far produced by Sayak, some of the plays which were outstanding and significant are Dui Huzurer Goppo (1979), Gnan Briksher Fal (1985), Daibaddha (1991), Bashbhumi (1993), Karnabati (1996) and Aa-Awa-Ka-Kha (2000).

Sayak has received lots of awards and laurels like Shiromoni Award, Dishari Award, Critic Circle of India Award, Kalakar Award and P.C. Barua Award.

Irshad Khan

images/2irshad.jpgIrshad Khan is today universally recognized as one of the most outstanding young sitar players and the leading surbahar player of the younger generation. He is the son and disciple of Ustad Imrat Khan. Having emerged as a prodigy, Irshad has been giving public performances from the age of seven. His international debut was at the Queen Elizabeth Hall in London, England, when he was thirteen. At eighteen, he made history by becoming the youngest soloist to perform at the first Indian All Night Concert at the prestigious PROMS international festival in London. Today he performs extensively at major music festivals and universities throughout the world. He has received various honors, medals and awards including recognition as the Artist of the Year by the West Bengal Government of India in 1992. Irshad is based in Toronto and Mumbai. He teaches and composes music and conducts intensive workshops at various educational institutions. He is the founder of Universal Academy of Musicians in Toronto. Irshad is not only continuing in the family tradition but is also making his own contribution to present day Indian music.

Shafaatullah Khan

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Shafaatullah Khan is the first known artist in Indian Classical Music to have attained simultaneous excellence in performing on three different instruments: Tabla, Sitar and Surbahar. His multidimensional musical repertoire, therefore, also distinguishes him in his pedigreed ancestry. Shafaat began his career at an early age on sitar and surbahar under the tutelage of his father Ustad Imrat Khan. Shafaat later developed a passion for the tabla and then studied under the guidance of the respected Ustad Ibrahim Khan. Debuting in the King’s Lynn Festival opened by the Queen Mother of Great Britain, he has since been acclaimed for countless performances around the world. He is a virtuoso of the tabla and tours extensively, performing in India, China, Greece and Europe. He has given lecture-demonstrations at the University of California at Los Angeles, Harvard and the Smithsonian Institution in Washington, D. C. Currently based in Philadelphia; he is a professor at the Univerisity of Pennsylvania.

Prasanna Kasthuri

The eldest of the Kasthuri family, Prasanna started his training in Bharatanatyam under Guru Smt. Lalitha Srinivasan in 1977 and had his arangetram in 1984. In 1985 he scored a rank in Bharatanatyan Vidwath examinations held by the Karnataka Govt. Later he continued under Guru Smt. Narmada and Guru Adyar K. Lakshmanan. He has been trained in Kathak by Guru Maya Rao. Prasanna's 24-hour marathon recital in 1986 was a great dance feat for his dance career. In 1989 Prasanna was invited by the "Lasya Dance Company" of UK to perform leading roles in their productions of dance-dramas as well as solo Bharatanatyam performances. He proceeded to USA where he conducted workshops in Texas, Arizona and performed in several cities in USA. He was the artistic director of "Tribhang", a dance troupe which toured in USA, UK, France and Switzerland and performed successfully. His significant achievement was establishing the Shantala Dance Academy (SAA) which is training many dance enthusiasts in Bangalore and in St. Louis, USA. Prasanna, now settled in St. Louis since 1997, is actively involved in the St. Louis community, spreading the knowledge of Indian Classical Dances. The comment from Times of India succintly describes Prasanna as, "This young dancer has a flair for innovation within the conventional domains and is sure to go places of course with opportunities and experience". TIMES OF INDIA 11.05.86. 

 

 

 

MOMENTS


 

Photo by Saptarsi & Tanusree Mandal and Aryadeb Bhattacharyya

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Smt. Banani Ghosh (Songs of Tagore) and PUNASCHA's felicitation to her
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Smt. Haimanti Shukla (Bengali Modern Songs) Sri Swapan Bose (Bengali Folk Songs)
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Students from Smt. Prasanna Kasthri's Dance Academy in St. Louis, Missouri
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Sri Arumoy Banerjee (Recitation and Audio Drama)
 

 

 

THE PEOPLE BEHIND


Committee:

Convenor: Ashim Ghosh
Treasurer: Kamal Das, Pranab De
Facility: Rabi Goswami, Sudha Saha
Fund Raising: Anjana Choudhuri, Rashidul Haq, Nitai Saha
Registration: Subrata Das, Aryadeb Bhattacharyya
Publicity: Pratim Biswas, Sowmitra Ghosh, Samiran Roy
Publication: Ayananshu Banerjee, Prabir Das
Cultural: Prabir Das, Ashim Ghosh, Ranjit Sarkar
Program: Ayananshu Banerjee, Krishna Saha
Activity: Saroni Bhattacharyya, Indraniel Das
Website development: Saroni Bhattacharyya, Aryadeb Bhattacharyya

Sponsors:

Ghosh

Ashim K.

Grand Patron

Chesterfield

MO

Lahiri

Suhas

Grand Patron

O'Fallon

MO

Rapoor

Praveer

Grand Patron

Wildwood

MO

Roy

Tapan S.

Grand Patron

St. Louis

MO

Roy

Amiya K.

Grand Patron

Chesterfield

MO

Roy

Diana

Grand Patron

St. Louis

MO

Saha

Nitai (AIA Foundatio

Grand Patron

St. Louis

MO

Tailor

Chandrakant C.

Grand Patron

Town & Country

MO

Bank of Americ